玩偶情结 王洋油画作品展

    Complex of DollSolo Exhibition of Oils by Wang Yang

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玩偶情结

 

王洋,1975年生于北京。他借用玩偶这个图像语言,表达了70年代的人对社会情怀的理解与感悟。

出生在70年代的人,被称为夹缝中的一代,身处革命与改革间的洪流。旧的还未散尽,新的却来临了,他们诚惶诚恐的调整

着自己的步伐,希望能够跟得上时代的脚步。为了改变自己尴尬的处境,他们开始思考,开始感悟人生开始用一种全新的方

式表达着自己的思维,展现一种“残酷的青春”。在画家早期的作品里玩偶金色的头发,仿佛象征着社会主义的熠熠光辉。

身后的那扇窗,与玩偶的眼睛一样,闪烁着类似金色的光芒。一身耀眼的红,一枚金色的主席像章又一次把我们的思绪拉回

了那个非常的年代。还是那一身红,还是那枚金色的像章,不同的是斑驳墙面上依稀可见的“为人民服务”的标语,不同的

是玩偶热烈而又深沉的目光……

当作为当代艺术的政治波谱被王广义等人演绎的轰轰烈烈的时候,同样选择了政治题材的王洋却用了另一种方式——借用流

行图像来表达绘画言论,从而造成一种绘画性的超越于图像性的新绘画。写实主义的表现手法加上卡通形象,与传统绘画力

在表达现实对象的“真实”不同,画家在这种真实中有加上了淡淡的人的思维,使画面不再空洞和单调。金色的基调,洋溢

着一种积极向上的情绪,玩偶的眼睛朝向远方注视着,仿佛是对画家所表现的社会主义的一种敬仰之情。不得不让我们对画

家在处理图像与现实时所表现出来的心灵物化的能力,以及与观众进行深度交流的表达能力所折服。浓缩了个人气质,并且

把绘画作为与观众心理沟通的工具。表达的是一种“不可言说的”的独特情怀。

而这种情怀在王洋的新作中更得到充分体现——光头的形象开始成为绘画的主角:即使被蒙住双眼,却依然呐喊,仿佛在向

我们传达着一种时代的召唤。玩偶们开始变得有血有肉、感情鲜活了。不再是紧闭的双唇,眼神也更加坚韧有力,透露出一

种无法言说的决心与斗志。高举的手臂,握起的拳头,如同起誓般捍卫着理想与信念。生活在这个消费时代里,画家有许多

无法言说的无奈,在被金钱和肉欲玷污的现实世界里,画家找不到立足之处。于是,他把目光投降了那个激情燃烧的岁月,

用那个年代的单纯来寄托自己的理想。

王洋与其他借用玩偶这个图像语言的画家一样,表达了一种对自我的追忆和遥想,一种历史性的追忆和遥想,有一种集体感

召的力量,是对历史的凭吊。玩偶鲜艳的色彩总是与身后单调的背景形成一种强烈的对比,好像在暗示年轻一代的无穷无尽

的新生力量和对逝去的年代的缅怀。

画家王洋,有一种强烈的玩偶情结,在他眼中,玩偶不再是单纯的玩具,而是被他赋予了生命力。他看中的是玩偶所象征的

年轻、希望和具有孩童般的可爱与单纯。一种不被尘世沾染的遗世独立,一种天真的心态,而这正是我们这个复杂社会所缺

少的。

陈安琪

Complex of Doll

By using the image "Doll" artist Wang Yang expresses his understanding of a particular period in Chinese history

of socialism.

 

People born in the 1970s are regarded as the generation of crevice since they have grown up during a transitional

period from revolution to reform. They have had to adjust themselves to the changes of the time constantly, and

hope to keep up with the changes. In order to avoid embarrassing situations, they have begun to think deeply

about their life and use a whole new ways to displaying their thoughts, "The Cruelty of Youth".

 

In Wang Yang's early works, the golden hair symbolizes the glory of  socialism. The window behind Doll and the

eyes of Doll glint in the sun. The dramatic red eyes and a dazzling badge with a head portrait of Chairman Mao

bring people's memory back to a specific period of China . These historical symbols serve as foils to Doll's firm

and enthusiastic eyes. 

Different from the current political pop forms, Wang Yang uses popular image and

historical symbols to show his artistic language. The combination of these two elements creates a new art form;

realistic expression along with the cartoon image making the composition rich and interesting. The keynote color

gold implies strong gumption. Doll looks forward with a feeling of adoration towards socialism. Wang Yang

skilfully handles the relationship between the image and reality. Viewers can feel the unique artistic characteristics

conveyed by the artist.

 In these recent works, a lovely and energetic Doll with a bald head becomes thecenterpiece of the painting. Its

active mind and specific environment sets a scene ofhistory. Even the blindfolded Doll still cries out. It seems that

the clarion call has been made.

 Doll become vivid and emotional with eyes looking firm and tenacious. It reveals adetermination and fighting spirit

beyond words.  Rising arms and clutched fists show the determination to defend ideal and faith. Living in today's

consumption times, the artist is powerless and cannot find his place in this commercial and lust-stained reality. So

he finds sustenance in that simple and specific period.

The artist expresses his recollection of history embodying the power of collectivism. It also implies a cherished

memory and a tribute paid by the emerging powerful generation.

Artist Wang Yang has a complex of Doll. In his eyes, Doll is no longer a toy. He makes it alive with strong power

and put it into an unforgettable specific period in Chinese history. To him, Doll symbolizes youth, hope and

childlike

innocence.  What we need today in this complicated society is an innocent mind without stains and a firm

character.

 


 

 

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